Nghệ sĩ: Claude Monet
Phong cách: Impressionism
ngày: 1882
Optimistic about the Russian Revolution, Malevich thought that the newfound freedom wound open the door to a new society, where materialism allowed for spiritual freedom. In his efforts, he studied aerial photography, and this painting is an effort make the the top square seem as if it is floating above the canvas. The stark canvas on White on White it is not devoid of emotion or deep artistic sentiment. Malevich’s brushstrokes are evident, and the soft outlines of the imprecise square make the white austerity of the painting seem more human. When it was created, it was one of the most radical paintings of its day, without reference to any outside reality.
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